tiny toon adventures promise her anything

The show may not have looked perfect, but it always sounded fabulous.”Ī strong mutual respect developed between writers and musicians, to the point that the writers couldn’t wait to hear the music that Stone’s orchestra created for their lyrics, and the musicians couldn’t wait to hear each episode’s jokes. “They basically had 22-minute wall-to-wall music to write for every half hour but they sure came through. The show’s crew even referred to him as “The Great Stontini.” “Richard Stone and crew, really their job was daunting,” Ruegger says. Composer Richard Stone, who passed away in 2001, assembled an orchestra that featured as many as 40 musicians creating the songs and sounds of Animaniacs. The music for Animaniacs was recorded at the Warner Stage where composer Carl Stalling produced his Looney Tunes scores for 22 years, a location whose symbolic importance was not lost on Ruegger. Before they do, they were kind enough to share the origin story of some of Animaniacs‘ greatest musical numbers.

More than 20 years later, fans still love the show and the music enough that some of the original voice actors, writers, and musicians are making plans to hit the road for a live tour. To accomplish this, Ruegger assembled not only an amazing voice cast but also a musical “Dream Team” that could give Animaniacs a truly memorable collection of sounds and songs. And what Spielberg wanted from Animaniacs was a great cartoon.

“Suddenly they became the Warner Brothers and their sister Dot,” he says, and eventually they’d be joined by more than 20 other characters.Īside from aiding in inspiration, Spielberg brought the ability to do whatever he wanted. Instead of three ducks, he’d develop a show featuring “generic cartoon characters from the ’30s” and they’d have been locked away in the tower because of their rambunctious nature. water tower, he had a moment of inspiration. Spielberg argued that if Ruegger wanted to create a series about a duck he should just use Plucky because he was a “marquee name.” But the animator declined and took a walk across the Warner lot to consider his options. His idea started with three ducks, but of course, Warner already had a legendary duck named Daffy and Tiny Toons had Plucky Duck. “My goal was to make something that was original on its own,” he tells us.

When Tom Ruegger first teamed with Steven Spielberg on Tiny Toon Adventures in 1990 he had his heart set on eventually doing something that didn’t involve the classic Warner Bros.

Tiny toon adventures promise her anything